November 18, 2003

Del Campo Nazca Saatchi & Saatchi: "Buenos Aires Zoo"


"Buenos Aires Zoo: Get much more for much less."

November 17, 2003

Revising Concepts: The Laddering Tool

Laddering is a process of questioning which connects the attributes or characteristics of a product to the benefits that the product gives the consumer to the values those benefits serve in the customer's life.

ATTRIBUTES ------> BENEFITS -------> VALUES
| _____________ | _______________ |
What a product is » What a product means

1. An attribute is a property of a product.
2. A benefit is how a product relates to a person.
3. A value is a need internal to a person.

Mad Dog & Englishmen: "gfn.com - the gay financial network"



"You're partners?Oh!..Then this must be a business loan." ][ "Two fellas living together?Look out ladies!"
Maurice Levy (Publicis): A Frenchmen in Advertising

Foie gras and fashion? Yes, the French can handle that. But advertising? Leave that to the British and Americans, masters of understatement and the brash riposte, with their ad powerhouses, like the Omnicom Group and the Interpublic Group of Companies in the United States and the WPP Group in Britain. Maurice Levy begs to differ. In recent years, Mr. Levy bought a string of agencies, including Britain's fabled Saatchi & Saatchi, that catapulted the French agency company Publicis Groupe into the forefront of the advertising world. Then last year he helped engineer a deal to bring together Publicis, the Bcom3 Group of the United States and Dentsu, the leading agency company in Japan, to form the world's fourth-largest ad company. Source: NY Times

November 09, 2003

The Fall of Advertising & the Rise of PR

"Creativity wins awards, but does it also win sales?"
This is the provocative message that marketing gurus Al and Laura Ries deliver with The Fall of Advertising. And with the following reasoning: " To be effective, advertising doesn't need creativity. It needs credibility." - the authors tells us how and why publicity will assume the major role in product launches, with advertising solidifying brands rather than creating them.
It's an interesting book (we have a huge respect fo Al Ries) nevertheless it's a bit rethorical. On their conclusion that advertising has 'no role in brand building' we suggest them to have a glimpse through the IPA Advertising Works annual book.

GS&P, S.Francisco: "Porsche Cars of North America"

November 07, 2003

Brand name creation

Techniques to generate original names

Abbreviation: Fed Ex - Amex ] Allusion & Analogy: Kitchen Aid - Caterpillar - 7 Eleven
Classical Roots: Midas - Oracle - Avis ] Composition: Pagemaker - Qualcomm - PowerBook
Fusion: Nutrasweet - Eveready ] Humor & Joy: Banana Republic ] Morpheme Construction: Xerox - Qualcomm - Pentium - Viacom ] Image / Sound Symbolism: Adobe - Yahoo! ] Truncation: Fanta - Intel ] Historical: Pontiac ] Geographical: Heartland Bank & Trust

Source: Generra, Knab

Carmichael Lynch: "American Advertising Federation"



"Advertising. The way great brands get to be great brands."

November 04, 2003

CP+B: The most awarded agency

Crispin Porter + Bogusky was the most-awarded agency in 2003, according to the Gunn Report. CP+B of Miami won the lion's share of its awards for its IKEA TV spots and Mini print work. Check: CP+B

Beacon Communications, Tokyo: "Polaroid. It's sexy."


"Polaroid 1200FF. It's sexy."
TBWA Portugal hires creative top-gun

Icaro Doria who had previously worked in Portugal for Leo Burnett is back in town to join forces with TBWA's local creative team. This Brazilian copywriter has already earned a Cannes Bronze Lion (Timberland 2001) and a Silver Lion (Kellogg's 2003).

October 31, 2003

Revisiting concepts: The FCB Grid

The FCB grid was developed by Richard Vaughn. a Senior Vice President of Foote, Cone and Belding Advertising. It helps direct both our creative strategy and our media strategy as it clarifies how consumers approach the buying process for different products.
Because of its simplicity the FCB grid became celebrated as a good model, but also a good tool for identifying the right approach a selling message should take. By estimating how a product relates to a consumer in terms of emotion-rationality, low/high involvement, advertisers could focus on the steps a consumer will take when purchasing this product and develop appropriate (hopefully successful) messages.

October 30, 2003

Leo Burnett Portugal: "Smint"



"Fresh breath and healthy teeth makes any mouth irresistible."

October 29, 2003

Barclays with BBH

Barclays, PLC, London, consolidated its account at Bartle Bogle Hegarty, London, its principal agency, by shifting the assignment for the Barclaycard credit card from BMP DDB, London, part of the DDB Worldwide division of the Omnicom Group, which had handled the assignment for 13 years. Total Barclays billings at Bartle Bogle were estimated at more than $45 million. Source: NY Times

P&G innovates: Fancy a free sample through sms?

Procter & Gamble named Aerodon, London, which specializes on mobile and wireless marketing, to create a campaign for Ariel laundry detergent. Television commercials will ask consumers to use the short-message service, or S.M.S., feature on their cellphones to receive free samples. Source: NY Times

October 26, 2003

Branding a Nation

"Images of democracy, freedom and opportunity conflict with images of cheap, vulgar, meretricious but compulsively attractive junk; like McDonald's and Coke. These jostle with images around the idea of scientific and technological achievement: Microsoft, Intel and Boeing. No wonder America's image is confusing."
- Wally Olins, Chairman of Saffron Brand Consultants and founder of Wolff Olins.

What about your country? What image do other people have? What image do you have about your own country?

October 25, 2003

McDonald's Taps TBWA\C\D for 'Be Active' Ads

"McDonald's has tapped the New York office of TBWA\Chiat\Day to handle a new assignment promoting the fast-food giant's "Be Smart, Be Active" program, sources said. The Omnicom Group agency is expected to share the task with other shops, which could not immediately be ascertained, one source said." Source > AdWeek

Consumer choice and judgment

SYNOPSIS:
"What shapes your purchasing decisions? Whether you’re buying a new car or a new shade of lipstick, chances are that you consider tangible factors (product features, price, etc.) or intangible qualities (such as how the product makes you feel), or perhaps both."

"A BMW is the ultimate driving machine and Pontiac builds excitement; Louis Vuitton bags signal who we are or want to be; and Armani suits make us feel like a “million bucks.” When making buying decisions, your feelings are often more engaged than you realize, and sometimes we go with our “gut feel”, even in the face of credible information about better features provided by the alternatives." > INSEAD, Going With Your Gut : Affective Cues and Consumer Judgment and Choice

October 24, 2003

BBDO Canada: "Atomic ice tea"

Made in Portugal doesn't sell?

Why is it that commodities made in Portugal or even portuguese national brands are perceived as poor quality in the global consumer mind? For example: While a pair of shoes or a suit produced in Italy is perceived as being better just for the sake of being Italian, the very same pair of shoes with the same quality, but made in Portugal is perceived as a poorer relative.

But a completely different thing, occurs when these commodities are sold as global brands, whose positioning of quality and prestige is undisputed. When a label "Hugo Boss" is added in top of a label "made in Portugal", the same pair of shoes or suit gains a intangible dimension in the consumer's mind. It's a "Hugo Boss" suit - it doesn't really matter if it was made in Portugal or not.

We cannot claim the prestigious asset, because that's a consequence of the product branding management, but we can claim the quality of the product that helped to build the brand. So my insight is: why can't we benefit of the free-riding effect that this global brands manufactured in Portugal, can provide us? (I honestly believe that our competitive advantage is in this kind of "leverage"). It's extremelly difficult for portuguese brands to be perceived or recognized as of superior quality or buyable. Therefore a pragmatic approach would be to use these global brands recognized worldwide, but that are made in Portugal. Thus saving us the trouble of working out the "sweet spot" positioning in the consumer minds. A free-riding effect might work well!

Here's the Hidden Persuader © suggestion:



"What's the difference between these labels? None. They're all made in Portugal."

How should an Ad Agency organize its business

How should an Ad Agency organize its business

1) CLIENTS - "THEY ARE THE REASON OF OUR EXISTENCE"
A) You need to understand your Client's mission & vision - the Company's past, present and where the Company wants to be in the future;
B) You need to know their "core business" inside-out and how it works on the field: their products > their services > their distribution channels > and of course, their target market.

2) AD CAMPAIGNS
A) They should be informative and entertaining;
B) They should always include art + strategic business considerations;
C) They should meet the Client's expectations;
D) They should answer to the consumer question: "Why should I buy from you?";
E) Simplicity, common sense and creativity - should be the key factors for every campaign you put out in streets.

3) CONSUMERS
A) They have different perceptions of the products in the market;
B) They have different tastes;
C) They're faithful to some brands;
D) They have a different purchase power;
E) In conclusion: All consumers should not be treated equally.

October 21, 2003

TBWA\G1: "Do You Speak Micra?" > Spotlight Review


[ David Lynch + TBWA\G1 ]

It’s time to speak Micra:
Spafe: spontaneous + safe ] [ Simpology: simple + technology
Smig: small + big ] [ Aggrendly: aggressive + friendly
Thractical: thrilling + practical ] [ Luxurable: luxurious + affordable
Compacious: compact + spacious ]

October 20, 2003

The 80:20 Rule

Why is it that the majority of the brands insists on chasing customers they don't have instead of focusing on selling more and creating stronger loyalty bonds with the ones they already have? Aren't these brands familiar with Pareto's Law (also known as the 80:20 rule)? Shouldn't they know that as a general pattern 80% of the profit is achieved with 20% of the customers. Then why wasting their resources, time and effort on new customers that most of the times are potencial brand switchers?

"A 5% improvement in customer retention rates will yield between a 25 to 100% increase in profits across a wide range of industries." - Bain & Company

Leith London: "Irn-Bru Light"

October 17, 2003

"The Other Half"

For those that are only familiar with the big network agencies, here's some sugestions to see "the other half":

Mckinney + Silver > website
Barkley Evergreen & Partners > website
Fogarty Klein Monroe > website
Austin Kelley > website
Merkley Newman Harty> website
Leopold Ketel & Partners > website
St. Lukes > website
K-agency > website
Mother > website
Leith > website

October 15, 2003

Cap Gemini Ernst Young Study: "TV Ads Don't Sell Cars"

Only two thirds as many car buyers (17 percent) said that they were influenced by TV ads relative to those (26 percent) who said they were affected by online search engine listings. The Cap Gemini study showed that word of mouth, at 71 percent, was the largest self-reported influence. Said the head of Cap Gemini's automotive practice: "We think manufacturers and their dealers are wasting money on broad-based TV advertising instead of a direct-marketing approach." Source: Ad Age

The Hidden's insight: Why don't the car manufacturers use their CRM - customer relationship management platforms to know which people buy a new car every year or have the intention to get one? Wouldn't be more effective to get a located target and invest on a more direct one2one approach?

October 13, 2003

Uzina ... "no bullshit" really!!

Check out this interesting Portuguese small creative shop » UZINA

"Everything that a great agency has, except the creative fee for the american friend."

October 08, 2003

Step by Step ...

Step by Step ... we've already achieved more than 10.000 visits since we've created and given life to "the hidden persuader" on July this year. And now we're proud to say that "the hidden persuader" is Portugal's most read branding, advertising & strategy weblog; also with a greater global audience (Europe, States and Brazil)!!!

Cool local and global news, marketing & branding, and creative work! Acclaimed as "an alternative source of information". Over 250 people (marketers, advertising agencies, curious people, students, jornalists) see this weblog per week: Do you want share of mind? A bigger and eclectic audience?

It's still a work-in-progress but it will get bigger with time and perseverence.

Cheers for the support,
The Hidden Persuader team

A Portuguese creative in Amsterdam

According to word of mouth, José Ricardo Cabaço, current Creative Director and partner of Grey Home Lisbon , has accepted an invitation to work at Wieden + Kennedy in Amsterdam. If this is true, we would like to wish him good luck and good work.

Goodby Silverstein: "Nike"

October 07, 2003

Bill Berbach: Advertising's most influential man


"Is the economy trying to tell you something?"

The impact and the genius of Bill Bernbach on modern advertising (founder of DDB - Doyle, Dane & Bernbach). Here's some of his wisdom:

"The best way to get clients is to create good advertising, and I mean advertising that sells."
> Bill Bernbach

"... too many clients are more interested in the manners of advertising than advertising itself. The client isn't God, but at the same time one should respect him. He may be right".
> Bill Bernbach

A great ad campaign will make a bad product fail faster. It will get more people to know it's bad.
> Bill Bernbach, DDB Needham Worldwide (1989). Bill Bernbach said . . .

Advertising doesn't create a product advantage. It can only convey it.
> Bill Bernbach, DDB Needham Worldwide (1989). Bill Bernbach said . . .

Advertising is fundamentally persuasion and persuasion happens to be not a science, but an art.
> Bill Bernbach, Quoted in Randall Rothenberg Where the Suckers Moon: An Advertising Story (1994)

In advertising not to be different is virtually suicidal.
> Bill Bernbach, Quoted in Robert I. Fitzhenry (1993). The Fitzhenry & Whiteside Book of Quotations

Just be sure your advertising is saying something with substance, something that will inform and serve the consumer, and be sure you're saying it like it's never been said before.
> Bill Bernbach, DDB Needham Worldwide (1989). Bill Bernbach said . . .

Today's smartest advertising style is tomorrow's corn.
> Bill Bernbach, DDB Needham Worldwide (1989). Bill Bernbach said . .

October 06, 2003

"Obey the Suit"?

A new viral spot for hip London haberdasher Tony Lutwyche gives new meaning to the phrase "sexual harassment suit." According to the clip from London agency St. Luke's, a Lutwyche suit is so powerful, its wearer can lord it over his co-workers in any way he sees fit. See what we mean at > Lutwyche Bespoke

Polaroid names Euro RSCG Worldwide as global agency

Brand Republic > LONDON - Havas-owned Euro RSCG Worldwide has beaten its French rival Publicis Groupe to the global integrated advertising and media account for Polaroid cameras and film.

October 03, 2003

MERRILL MAVEN AGAIN REVISES ADSPEND FORECASTS

On Wednesday Merril Lynch's analyst Lauren Fine lowered her earlier estimates for 2003 US advertising growth, down from 3.1% to 2.8% percent. Worldwide ad spending she now divines will grow at the rate of 1.9% rather than her previous guess of 2%. Lauren's expectations are more bullish for 2004 – likely taking her cue from the prognostications of those at the ad business coalface. Nonetheless, she revised down her earlier 5.7% US ad growth prediction to 5.4%, while the worldwide estimate is reduced from 4.9% to 4.7%. Source: WARC

BURNETT PRESIDENT BOB BRENNAN LEAVES

CHICAGO (AdAge) -- After nearly three stormy years, Bob Brennan is out as president of Leo Burnett Worldwide, the Publicis Groupe ad network announced this afternoon (October 01, 2003). Burnett Chairman-CEO Linda Wolf will temporarily take on Mr. Brennan's duties for North America, including the U.S. agency's flagship office, Leo Burnett USA, Chicago. Additionally, Roger Haupt, president and chief operating officer of Publicis Groupe, will cover the Europe/Middle East/Africa region until a new regional managing director is named.

Accenture turns to overexposed Woods as spokesman

NEW YORK - He may have been branded the most over-exposed athlete in the US, but this has not stopped Accenture signing Tiger Woods as a spokesperson in a new advertising campaign that will tell clients 'go on, be a Tiger'. Source: Brand Republic

Merkley Newman Harty NY


"Mercedes-Benz: Perhaps the most desirable car in the world."

October 02, 2003

How Do They Know Their Customers So Well?

Synopsis:
Many firms know about their customers, but few know the customers themselves or how to get new ones. Davenport, director of the Institute for Strategic Change, Accenture (formerly Andersen Consulting) and coauthors Harris, also from Accenture, and Kohli, professor of marketing at Emory University, report results from interviews with 24 leading firms and describe seven practices that the leaders share. The companies interviewed — including Harley-Davidson, Procter & Gamble, and Wachovia Bank — have undertaken specific and successful initiatives centered around the management of customer knowledge. Source: MIT Sloan Management Review

October 01, 2003

Think global - Act local

In todays edition of The Wall Street Journal, Martin Sorrell, CEO of WPP, argues that "one size fits all" strategies are not working anymore. Therefore the strategic orientation of WPP networks such as: Ogilvy, JWT e Y&R - should be more locally based.

Philip Chudy: Smirnoff Vodka



Philip Chudy is an award-winning advertising photographer. His work is a hybrid of seemingly irreconcilable modes: realism and visual fiction, fine art and technology. Hailing from Africa, he has operated professionally from studios in London, Edinburgh, and Frankfurt. Chudy's work has been featured in many large solo shows throughout Europe and in campaigns for clients around the globe, including Benson & Hedges, Mercedes Benz, Wedgewood, and Motorola.